The Last Best Quest Ever by F. T. Lukens, Margaret K. McElderry Books, $ 19.99, 320 pages
In The Last Best Quest Ever, F.T. Lukens delivers a charmingly chaotic adventure that gleefully pokes at classic quest tropes while building something heartfelt beneath the humor. Ellinore’s carefully constructed reputation unravels in spectacular fashion, and watching her stumble toward authenticity is half the fun. The banter between her and Aven crackles with rivals-to-something-more energy, while the ragtag crew adds warmth and unpredictability. What lingers most is the emotional honesty tucked inside the antics—this is a story about choosing who you are when the spotlight fades, and letting yourself be seen.
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The Night King’s Court by Elisa A. Bonnin, HarperCollins, $ 19.99, 400 pages
Velvet-dark and shimmering with enchantment, The Night King’s Court by Elisa A. Bonnin feels like wandering through a dream you’re not sure you’ll wake from. Ida’s journey begins with longing but quickly spirals into something more disquieting, as the court’s beauty reveals its teeth. The romance between Ida and Lenore glows softly at first, then deepens into something urgent and necessary. Bonnin’s lush worldbuilding dazzles, but it’s the creeping unease—the sense that magic always takes something—that gives the story its edge. A haunting, slow-bloom sapphic romance wrapped in glittering danger.
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Devils We Know by L. T. Thompson, Bloomsbury YA, $ 20.99, 384 pages
Adventure takes the wheel in Devils We Know, and L. T. Thompson steers it straight into found-family brilliance. The stakes are higher this time, the danger sharper, but it’s the relationships that anchor the story. Cas, Remy, and Finn’s bond feels lived-in and fiercely protective, while the budding romance between Remy and Finn adds a tender undercurrent to the chaos. There’s something deeply satisfying about watching queer teens claim space in a world determined to deny them. Swashbuckling meets soul-searching here, resulting in a story that’s as emotionally resonant as it is thrilling.
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One Word, Six Letters by Adib Khorram, Henry Holt and Co. (BYR), $ 19.99, 224 pages
Here’s the thing about One Word, Six Letters by Adib Khorram: it doesn’t flinch. It opens with harm and then carefully, painfully, traces the ripple effects outward. Dayton and Farshid’s dual perspectives create a narrative that feels raw and immediate, never simplifying the messy process of accountability and self-discovery. The emotional arcs unfold with quiet precision, and the tenderness that eventually surfaces feels earned rather than easy. While romance simmers gently beneath the surface, the real heartbeat of the book is growth—the kind that stings before it heals. It’s thoughtful, necessary, and deeply human.
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Soft, strange, and quietly devastating, Where You’ll Find Us by Jen St. Jude reads like a memory you’re trying to hold onto before it slips away. The concept of Amaranth—a refuge outside of time—is beautifully rendered, but it’s Cal’s internal journey that truly captivates. Questions of identity, belonging, and the cost of safety versus reality weave through every page. The romance is tender, almost fragile, blooming in a place where time itself feels uncertain. By the end, the story leaves you with a bittersweet ache, like summer ending just as you’ve learned how to live inside it.
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There’s a sharp, unsettling edge to Where Lost Girls Go, and Kody Keplinger uses it to slice straight into questions of power, loyalty, and desire. Iris’s voice pulls you in immediately—devoted, uncertain, and slowly awakening to the cracks in her world. The tension between safety and control simmers throughout, while her connection with Rose adds a flicker of something fragile and possibly dangerous. This isn’t a straightforward romance; it’s a story where love and survival blur together. Keplinger crafts a hypnotic narrative that lingers long after the final page, equal parts eerie and electric.
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