Bob Boilen is the long-time host of the NPR Tiny Desk concert series. In this book he introduces us to a variety of musicians whose work he enjoys, and who have appeared on the show. The musicians span a variety of genres, but most typically are singer-songwriters.
The author’s writing style is breezy, positive, and easy to follow. There are times when the reader might have preferred more in-depth portraits that traced the career arc of the performers. Some questions Boil doesn’t deal with are how each artist’s style has developed, changed, stayed the same, or even stagnated. Because there are so many artists discussed – 35 – after a while their careers seem to meld into one another. It might have been useful for the reader if Boilen had done a short, introductory chapter on the Tiny Desk series, or had elaborated on it during his autobiographical introduction. As the reader goes deeper into the book, the constant references to the author’s NPR show, and his band, Tiny Desk Unit, become a bit redundant. There is also very spare coverage of jazz or classical music.
On the positive side of the ledger, a number of the artists are not widely known and the book will serve to afford them some exposure to possible new audiences. The author has brewed up an interesting mix of “stars” like Jimmy Page and comparatively little-known artists.
Dick Weissman is a musician, composer, songwriter, record producer, performing and studio musician. He has played on hundreds of recording sessions, and has eight solo albums of his own music. His music has been used on NBC, BBC-TV, and on the Biography Channel. He is the author or co-author of twenty published books about music and the music business, and numerous music instructional folios.
Rhodes has concocted an unusual format for this memoir, which is also in development as a feature film. The chapters are titled as “Tracks,” as one would find on a record album. Each track includes an introductory page that references a specific [...]
This book contains twenty short stories written by twenty different authors. At the back of the book there is a short (two-to-four sentence) description of each author and their work. While the title of this anthology does imply music existing [...]
Although this is a slim 95-page book, it is essential reading for anyone who cares to explore the roots of the DIY (do it yourself) movement in music. The author sketches the odyssey of the town, which he describes as a rust belt remnant with [...]